Virtual Creative Coding Fest
2024, Generative Identity Design
A flexible visual system and custom tool for Creative Coding Fest 2024
Channeling open-source processes, the visual language embodies Processing’s and CC Fest’s shared goal of creative code literacy for all.
Role → Concept, interactive, motion, graphic design
Client → Processing Foundation
Digital Experience → Generator Tool
[what]
CC Fest is a free and friendly event promoting software learning within the arts and artistic learning within technology-related fields.
[who]
As a sub-sect of The Processing Foundation, CC Fest hosts workshops and talks about open-source tools, made accessible especially for students and teachers.
[how]
The kinetic identity was born out of primitive shapes—a fundamental concept taught in creative coding classes.
[why]
Centering the event’s art and code duality, the campaign graphics seeks to demystify their lowest common denominator—math—for a beginner audience.
[the interface]
I developed a generator that created countless yet cohesive variations of primitives for rapid deployment during production.
[the math in design]
Governed by the polar-coordinate system, a bespoke algorithm adds and removes vertices in real time to create a line, a circle, and every polygon in between.
[components → assets]
Graphics created with the generator formed the components for a wider set of assets, each symbolizing the merging of dualities.
[assets → applications]
As a virtual event, the campaign was optimized for a largely digital presence where most of the creative coding community lives and learns.
[open-source process]
The typeface was chosen for its resonance with Processing’s accessibility pledge, with its contrasting forms testing well across reading abilities.
[parent and child]
The polygons specifically created for the fest are a nod to the shapes in its parent organization’s modular logo.
[epilog]
This project was modeled after Dan Shiffman’s tutorial detailing how shapes are created by manipulating the vertices on a circular path.